Iberian Book Review: The Wines of Madeira by Trevor Elliott

I must begin with a confession. I was never very fond of school. I endured the typical K through College plus before severing myself devoting full time to my own interests. I have no gooey stories about the teacher who inspired my life. I can’t sit still for Goodbye Mr. Chips and fail to stay awake for Mr. […] Continue Reading →

Iberian Book Review: Marion Trutter’s “Culinaria Spain”

Culinaria Spain is a coffee table book not really designed for the spots and spills of a working kitchen, and I believe its creators never intended it to lean up against the counter backsplash while you took a whack at fideuà (Fideo). It is part of a series that has raised the bar in the […] Continue Reading →

Iberian Book Review: Pete Wolstencroft’s “Tapas and Tintos”

Pete Wolstencroft’s Tapas and Tintos was electronically thrown on my desk from Catavino suggesting that it had my name on it. Maybe it did, and maybe it didn’t, but there it was, and I settled in with a set of expectations led by the title. Well, it is not a book on Spanish food and […] Continue Reading →

Part 4: Music and Wine Pairings for Piano Concertos

Editor’s note: This article is part of an ongoing series covering classical music and Iberian wine pairings by Burt Frink. To understand its origins, and why Burt felt a series was required on the subject, please read his first piece. His second piece covered classical and chamber music, while his third covers pairings for male […] Continue Reading →

Part 3: Music and Wine Pairings for Male Vocal Recital

Editor’s note: This article is part of an ongoing series covering classical music and Iberian wine pairings by Burt Frink. To understand its origins, and why Burt felt a series was required on the subject, please read his first piece. His second piece covered classical music and chamber music. I love the silence I share […] Continue Reading →

Is there Something New about Perfume and Wine?

Editor’s Note: This post continues our theme of connecting wine – Spanish, Portuguese, or otherwise – with a wide variety of sensory experiences, be it classic music or perfume. As said by Olfactory Artist, Maki Ueta, “Olfactory preferences are originally locally oriented. They correspond to the evaporating character of aromatic substances. Each culture has its […] Continue Reading →

Part 2: Classical Music and Iberian Wine Pairings for Chamber Music

Editor’s note: This article is part of an ongoing series covering classical music and Iberian wine pairings by Burt Frink. To understand its origins, and why Burt felt a series was required on the subject, please read his first piece. I love the silence I share with myself and a glass of wine. Often, but […] Continue Reading →

How to Pair Iberian Wine and Music: An Introduction

Editor’s Note: Burt Frink is not only a close friend of ours, but one of the most cultured individuals we’ve ever met. His ability to explain an opera, cook a 18th century French dish or dance the waltz with immense grace and dignity is astounding to our X Generation spirits. Thus, after the vast interest […] Continue Reading →

A Remeberence of Vina Tondinia

Recently, I had asked a close friend of ours, Burt, if he was familiar with the ever so famous Portuguese wine, Mateus. Being both a man of culture and class, I figured he would probably have an intriguing take on the socially significant drink. Here was his take on both Mateus and rosé in general…. […] Continue Reading →